The most virtuoso arias in Baroque operas often originate in the turbulent emotions of their heroines. How delightful it is to rage and swear revenge! And when a sacred text speaks of God’s righteous wrath (furor iustissimae irae), someone like Vivaldi naturally does not hesitate to write sparkling operatic music to accompany it. But even in more delicate realms, in the musical depiction of streams and breezes, the notes leap and bubble in Baroque singing. However, this is always difficult to sing, and one of the difficulties is that it should sound very easy. Soprano Yerin Mira Läuchli is one of those who have mastered this to perfection, putting all her virtuoso singing skills at the service of musical expression.
Musikkollegium Winterthur
The soprano Yerin Läuchli is stunning. When she sings about the death of her friend between suffering and joyful redemption, it is beguilingly graceful to watch and terribly beautiful to hear. reformiert
The young soprano delighted the audience with her musical skills and powerful voice. It was as if she was bringing the protagonists on stage to life at every moment and the feelings of love, pain and longing that she sang allowed the audience to silently dream, suffer and hope along with her.
Elgger/Aadorfer Zeitung
“It was a particularly moving experience for me to accompany such a talented young singer in this year’s programme, whose development and career I was able to witness from an early age,” said Druey. Soprano Yerin Mira is already one of the greats in her field with her expression, her versatility and her vocal and technical perfection. “She not only inspired the audience, but also us musicians,” said Druey.
Limmattaler newspaper